In a rare moment of vulnerability, Lauryn Hill has taken a very private and personal matter to Facebook. Not long after Selah Marley, Hill’s daughter with music royalty Rohan Marley, released an Instagram video detailing the trauma she endured growing up, the ex-Fugee is addressing Selah’s accusations in a lengthy post.On Thursday (August 13), Hill eloquently defended her daughter’s right to process her childhood experience in whatever way she sees fit. She also explained why she felt the need to discipline her children in the way she did, which according to Selah was anything but gentle.
“Uhhhh black people, what???” she began. “Selah has every right to express herself, I encourage it, but she also got the discipline that black children get because we are held to a different standard. The discipline was seen through the lens of a young child who also had no place to reconcile me as mom, and me as a larger than life public figure. It took me a while to realize that my children, and probably everyone who knew me saw me in this duality. To me, I am just me. If I am guilty of anything it is disciplining in anger, not in disciplining.
“The toxic venom I ingested for standing on principle, and confronting systemic racism far BEFORE it was the thing to say or do (everything you NOW celebrate everyone for!)–the people who called me CRAZY and have yet to apologize and say ‘oh yeah, we were wrong’, OF COURSE that seeped into my home, it was intended to. An entire operation trying to break an artist with a voice and knowledge of herself–way ahead of her time–was in motion. I was affected, my family was affected, my children were affected.”
Uhhhh black people, what??? Selah has every right to express herself, I encourage it, but she also got the discipline…
From there, Hill expounded on what it was like enduring the often bitter elements of fame and how she felt sheltering her children and keeping them quiet was a better alternative to having them thrust in the limelight.
“I discussed with Selah what it must have been like having a child while being hunted by nazis, or what it was like for the children of runaway slaves,” she continued. “The child just being a child puts her and everyone else’s lives in jeopardy. Keeping the child quiet to escape the danger is ALSO saving the child’s life! Imagine that. When I realized that the pressure on me was so incredibly hypocritical and unfair, criminal even, that even my children weren’t allowed to be children, I stepped away. I wasn’t removed, I STEPPED AWAY.
“Weening myself and my family from the addictions that systems of control attempt to use through fame and celebrity is no joke. It’s painful and people were not above using my children to keep exploiting me. Keeping a child sober minded in the midst of everyone trying to seduce and bribe and coerce is an incredibly challenging thing to do. Sell a few million copies of a recording and see the wolves and sharks for yourself before you determine what’s appropriate and what’s not. The danger was REAL! And this danger I faced alone, unsupported as I should have been, and dumped on by the same people who only a few years before built a fortune off the same gifts they later tried to deny and then COPY.”
Hill also warned against the hypocrisy she was witnessing on social media in the wake of Selah’s video.
“My life has been about protecting my children from all kinds of danger, and that’s only possible when you protect yourself from the danger as well,” she wrote. “Selah is on a road to healing and contextualizing her childhood, and is allowed her process, but if you come for me, come for your own mama, and those absent fathers–come for them too, your grandparents, your great grand parents, your great great grand parents, your great great great grand parents, Caribbean parents, African parents and everyone else damaged and judged for being black and forced to conform and assimilate to western standards of ‘order’ shaped through the filter and lens of anti-blackness.”
She added, “As my children mature they see the state of the world, before that, ALL they saw was me seemingly blocking the fun, not me aggressively blocking the trap.Selah and I speak often and she knows we are both working through our stuff–the exploitation, the abandonment, the mistreatment and the muzzling of our own gifts and intelligence to make it more comfortable for others, which is a big mistake to do, it can ONLY lead to implosion or explosion.
“We’re both learning and healing, and each of my children has a similar story and journey. All of you in a rush to crucify someone, careful who you string up or nail up. You might have an extremely limited view of the actual reality. We all hate abuse and exploitation, sometimes in an effort to fight against it we can easily become the abuser, the exploiter, and THIS is what we have to watch for. No one is exempt from needing to watch themselves in this way.”
As Hill concluded her diatribe, she made it clear she was tired of the way the industry is run.
“If you’re one of these people under the illusion that money somehow simplifies life and solves all problems, look at the examples of Amy Winehouse, Whitney Houston AND Bobbi Kristina Brown, Prince, Michael Jackson, Sam Cooke, Kurt Cobain, Marvin Gaye, Biggie Smalls, Tupac Shakur, Nipsey Hussle, Juiceworld, Pop Smoke, Lil Peep, I could go on,” she said. “Sometimes fame and money amplify not only problems but can magnify the darkest and most cruel and selfish qualities in humans. Greed, jealousy, envy, covetousness, violence, fear. People see someone who they think is powerful or has something they want and scan for the slightest vulnerability to exploit.
Finally, she posed the question, “Could you imagine what the world would look like if someone said ‘hey, this or that artist has an addiction problem, or this one is being taken advantage of, how can we help?’ rather than turning it into news. I wonder who’d still be here today?”
In Selah’s nearly two-hour Instagram Live, the 21-year-old talked about life with her “very angry” mom whom she claims disciplined her by whipping her with belts, calling it “some slave owner shit.” She also spoke of her father Rohan as being a largely absent dad, which prompted a public apology from him.
Check out a clip of Selah’s video below and find Hill’s full post above.
In the world of music collaborations, there are some that stand out as iconic moments in history. One such collaboration was between the legendary rapper Nas and the talented R&B artist R. Kelly on the remix of Nas’s hit song “Street Dream.” This remix, known as the “Street Dream Remix,” brought together two powerhouse artists from different genres to create a musical masterpiece that still resonates with fans today.
In 1996, the Queensbridge rapper Nas was one of the hottest artists in the urban music industry. That year he released his second studio album “It Was Written” with standout singles “If I Ruled the World (Imagine That)” and “Street Dreams”. The album was a commercial success, selling 270,000 copies in its first week and debuting at number one on the US Billboard 200 chart.
The second single “Street Dreams” brought together Nas and R. Kelly for an epic remix that was change Hip Hop forever. This collaboration seamlessly bridged the realms of hip-hop and R&B, forging a unique connection between disparate musical spheres. It not only captivated a diverse array of fans but also highlighted the artistic flexibility of Nas and R Kelly, setting a new standard for future music collaborations. The “Street Dream Remix” emerged as a cultural phenomenon, propelling the artists into the limelight and solidifying their influence in their respective genres.
The music video was shot by Hype Williams in September 1996 and R. Kelly was so impressed by the collaboration he wanted to build a working relationship with Nas. R. Kelly also wanted to record a joint double album with Nas so they could cross promote a multi-city tour and marketing events.
Unfortunately this major moment in hip hop history would never happen, due to R. Kelly. Nas was featured on the remix version of “Did You Ever Think” from Kelly’s 1999 “R” album, but they recorded together again. Watch the video below from our friend Karceno4Life to find out more:
The “24K Magic” singer announced a multi-year residency with MGM Resorts International in 2016, performing at the hospitality giant’s Park MGM resort in Las Vegas.
However, the relationship between the 38-year-old and the hospitality giant may have gone sour as the singer’s gambling has allegedly racked up large debts at the poker tables in Las Vegas, according to NewsNation.
“He owed millions to the MGM,” a Vegas insider told the outlet.
Another source added that the debt is as high as $50 million.
“[MGM] basically own him. He makes $90 million a year off of the deal he did with the casino, but then he has to pay back his debt,” added the insider, claiming that the singer only makes $1.5 million per night after taxes.
Part of Mars’ MGM contract reportedly included the creation of The Pinky Ring, a cocktail lounge inside the Bellagio Resort. NewsNation reports that another project is in the works as well.
Steve Stoute is talking about what caused the downfall of Jay-Z and Dame Dash’s friendship and working relationship—and Dame has something to say about it.
On the latest episode of Club Shay Shay, the music executive recalled how Dame, now 52, and Hov, 54, couldn’t keep Roc-A-Fella Records afloat. According to Stoute, Dame “blew it,” and it’s incredible how he did that, especially when he had Jay-Z, “the most important artist of his generation,” in his corner. Host Shannon Sharpe specifically asked how “that relationship that was so good sour so fast.”
“Dame’s antics, were just, it became—people over time, you mature,” 53-year-old Stoute said. “It’s like you have friends at 16, but by the time you turn 19, they were still doing the same shit when you were 16. … You start spending less and less time with them because of that.”
Our podcast FRSHOUT Hip Hop breaks down the recent damning comments from Steve Stoute on Dame Dash.
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